Thursday, October 11, 2012

Buy the Vacant Foreclosure Next Door? Even With the Money, It's ...

Lisa Cocuzza buying foreclosure

What would you do if the vacant foreclosure next door was falling into disrepair and threatening your own home's value? If you're like Homosassa, Fla., resident Lisa Cocuzza, you'd try to buy it and fix it up.

That was Cocuzza's plan five years ago when a for-sale sign went up at a vacant foreclosure across the street. Worried that the property would continue to deteriorate and soon blight her neighborhood, she offered to pay its full asking price of $69,000. But three days before the deal was to close, she said, it fell through because of problem involving the lenders who owned the home.

This seems to be a typical story line for homeowners across the country -- many of whom are growing so desperate to preserve their neighborhoods that they're willing to buy the foreclosure next door -- only to fail. The foreclosures then tend to continue to sit empty and chip away at the surrounding homes' values.

An estimated 1.5 million homes in the U.S. are bank-owned or in some stage of foreclosure, according to online foreclosure marketplace RealtyTrac. But the complications of buying one can make them difficult, even impossible, for an average homebuyer to purchase.

In Cocuzza's case, there was more than one mortgage on the foreclosed home that she was trying to buy. A second financial institution had a $14,000 lien, or claim, on the home, which meant that this unpaid debt would have to be tacked onto the $69,000 asking price. This didn't come to light until Cocuzza was about to close on her purchase. That's when she found out she'd have to pay $83,000 for the home -- an amount she couldn't afford, she said.

Ever since that deal fell through five years ago, Cocuzza said, the home has remained vacant and hasn't been re-listed for sale. She's continued to do what she can to keep the property from total disarray, she said. She clips bushes, pulls weeds and has hung a bird feeder and wind chimes.

"I kind of go over there if I see any trash that might have blown into the yard," said Cocuzza. "I put out little decorations and keep it up as best I can."


Other homeowners who have tried to buy foreclosures in their neighborhoods have faced other costly surprises.

A homebuyer in Taylorsville, Utah, lost the chance to buy a dilapidated foreclosure in his neighborhood because the bank wouldn't negotiate on needed repairs, said Darnell DeBrule, an employee at Deseret First Credit Union of Salt Lake City. The buyer was DeBrule's client.

DeBrule said the buyer "feared an investor would purchase the property as-is and have little-to-no concern regarding its effect on the neighborhood as a whole," so the buyer offered to pay the full asking price for the foreclosure, as well as an inspection. That's when things went south.

The inspection found the home to be badly contaminated with hazardous chemicals used to make the street drug, methamphetamine. When the buyer suggested splitting the cost of rehabilitating the home, the bank shut down the deal, DeBrule said.

Related: Vacant Homes Plague Neighbors as Lenders Drag Feet

The bank said it was "not putting in a dime" and now would only accept a cash offer, DeBrule recalled. That meant the buyer, who was planning on taking out a mortgage to buy the home, could no longer afford it. And it left the door open for a cash-rich investor to swoop in and snap it up.

Banks mostly prefer offers from investors anyway, said Marty Boardman, chief financial officer of Rising Sun Capital Group, a home investor based in Nevada. That's because they have deeper pockets and are more capable of paying in cash -- and cash deals, which carry fewer contingencies, are more likely to close, he said.

"Their competitive advantage can be frustrating to homeowners like DeBrule's client, since "investors don't necessarily care about neighborhood vitality," said Douglas Robinson, a spokesman for NeighborWorks America, which rehabs foreclosures and sells or rents them to low-income Americans.

Along with stiff competition from investors, those who want to buy foreclosures in their neighborhoods sometimes encounter another -- surprising -- hurdle: just finding a home's true owner.

Mark Hankins, of Land O' Lakes, Fla., wanted to create a neighborhood trust to buy a nearby home that's languished in foreclosure purgatory for two years, but public records on it proved a dead end, he said. Six financial institutions have been involved in foreclosure proceedings on the property since JPMorgan Chase initiated foreclosure on it in 2009, the records show, and the law firm that manages the trust in possession of the home no longer exists.

"If somebody diligent wanted to make an offer to the current beneficial owner," Hankins said, "nobody has any idea how to contact them to make the offer."

And you'd think that if anybody could find the owner, Hankins could. He's a foreclosure attorney who wrote a book about how to cope with debt.

In the success story of Lori Hiscock, though, it's easy to see why some homeowners like Hankins would like to take foreclosures under their wings. Hiscock bought a foreclosure around the corner from her home in Granger, Ind.

The home had begun to show signs of decay more than a year ago, and someone had "put a black Christmas tree on the front porch and wrote 'bah humbug,' " Hiscock said.

Though Hiscock doesn't consider herself an investor, she bought the home in cash in June and spent $15,000 to rehab it. Neighbors were worried about the home being rented out after it sold, Hiscock said. But they warmed to the idea once they realized the owner lived nearby.

"We love the neighborhood, and we love the home, and we got to pick our new neighbors," Hiscock said.

The entire neighborhood may benefit from Hiscock's move. In one broad stroke, she removed an eyesore, fought off blight that threatened the home and propped up home values.

It also didn't hurt that Hiscock was a savvy and desirable buyer: She works as a loan officer, and she had the money to buy the home without a mortgage.

"I wouldn't have realized that making a cash offer, using a Realtor experienced in foreclosure sales, and making the offer without it being subject to any inspections would have made a difference," she said, "if I didn't know this process so well."


See also:
Coffee Shop Owner in Hot Water After Rehabbing City Grounds
Tenant Installs Surveillance, Now Faces Eviction
Snakes, Alligators and Other Exotic Animals Found Inside Brooklyn Apartment


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Source: http://realestate.aol.com/blog/2012/10/11/buy-the-vacant-foreclosure-next-door-even-with-the-money-its/

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Magazine teaches kids to build a Molotov cocktail

Qawz Quzah

"(A Molotov cocktail) is an improvised weapon that is often used in riots and acts of sabotage because it is easy to make and use,'' according to an article in Tunisian children's magazine Qawz Quzah.

By Christina Marker, NBC News

A how-to guide on putting together a Molotov cocktail is not something you would expect a children?s magazine to feature, but that is exactly what recently ran in "Qawz Quzah," a popular Tunisian magazine?whose name means "rainbow" in Arabic and is?aimed at children aged five to 15. ?

?(A Molotov cocktail) is an improvised weapon that is often used in riots and acts of sabotage because it is easy to make and use,'' reads the article, which came complete with detailed instructions on how to make a Molotov cocktail and appeared?in the latest edition of Qawz Quzah.

The article, which appeared in a section of the publication called "Knowledge Corner," touched a raw nerve in a country still struggling to tame the unrest stirred up by last year's successful revolution, the first of the Arab Spring. The government on Monday?announced that it would prosecute the popular magazine for running it.?

Slideshow: State of emergency in Tunisia

Tunisia's revolution led to the democratic election of a transitional government headed by the moderate Islamist Ennahda party, but violence persists among extreme religious groups. Molotov cocktails have been the weapon of choice in these confrontations.

A 'professional mistake'
Speaking from Tunis, Rabii Kalbous, a journalist working for the English-language website Tunisia Live, told NBC News that the story has provoked a stronger reaction abroad than it has inside the country itself.

Crackdown on free speech in birthplace of Arab Spring

?No one knows why such an article was published. It is a kids' magazine, so I don't think there are political intentions behind it,? he said.


?I don?t believe the government is really aware of the impact these things have on children, especially if they are regular readers of the magazine,? Kalbous added.

On Tuesday, the magazine?s editor-in-chief Monji Chebbi was forced to apologize on Tunisian television for what he described as a ?professional mistake.?

The Ministry for Women and Family Affairs said the article ?encourages violent and terrorist thought'' and it also endangers children's lives by ?encouraging the use of Molotov cocktails in acts of vandalism or terrorism."

Mohamed Bouazizi, the fruit vendor whose death changed the Arab world

The Molotov cocktail was named after Vyacheslav Molotov, the Soviet foreign minister during the 1950s. It is a general term used to describe improvised incendiary devices.

NBC?s Charlene Gubash and Reuters contributed to this report.

More world stories from NBC News:

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Source: http://worldnews.nbcnews.com/_news/2012/10/10/14341908-easy-to-make-and-use-tunisian-magazine-teaches-children-how-to-build-a-molotov-cocktail?lite

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Building a Website for an Online Business is a Worthwhile Investment

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It is this challenging environment that Designers-Den, providers of top notch web design Saudi Arabia, was established in 2004 to help entrepreneurs grow their online businesses by getting the best platform to advertise and promote their products or services.

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A well-designed website can make a difference. This holds true if an online retailer is placed amidst tight market competition. If their products and services are all the same, a website that is set to deliver everything that a client may look for is a crucial factor to edge those competitors. It can mask a struggling company to appear as if they have most top notch services or products.

Website design Saudi Arabia has a goal to help entrepreneurs reach a wider range of targeted customers, with either basic or sophisticated designs to choose from. The team also uses latest technologies in software and web development so that they can deliver optimum results to their clients. The company has more than 35 highly trained people who can specialize to a certain project.

The integrated team approach helps the company to manage any interactive venture such as software development, social media marketing, mobile applications development, apps development, website design, among many others.

A website is relevant in reaching a larger demographic, wherein companies can present their products/services with the most luring appearance possible. It can also make them open 24/7 to accommodate all customers from around the world, making it the easiest way to expand a business.

A website designed by Designers-Den is custom-formulated to exactly represent a client?s business. Plus, the unique design also comes with the right source code and domain to ensure the security of the web visitors while navigating through. It is with these benefits that an entrepreneur can get that fueled web designers Saudi Arabia to develop more website options and technologies.

For more information, please visit http://www.designers-den.com/web-design-saudi-arabia/

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Source: http://www.briefingwire.com/pr/building-a-website-for-an-online-business-is-a-worthwhile-investment

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Tuesday, October 2, 2012

Thomas Sayers Ellis: Keeping the Folk Tradition Alive | Sampsonia ...

Ellis Interview

Thomas Sayers Ellis with Bonita Lee Penn. Photo: Camila Centeno

On June 21st, City of Asylum/Pittsburgh co-hosted a reading with Cave Canem, an organization that is committed to cultivating the artistic and professional growth of African American poets. Among the many prominent poets who read this year was Thomas Sayers Ellis.

Ellis is the author of Skin Inc.: Identity Repair Poems, a collection that has been described as his ?big, ambitious argument in sound and image for an America whose identity is in need of repair.? Ellis is also the author of the poetry collections The Maverick Room, The Good Junk, The Genuine Negro Hero, and Song On. He teaches at the Lesley University low-residency MFA program and is Assistant Professor of Creative Writing at Sarah Lawrence College.

While in Pittsburgh, Ellis spoke with Bonita Lee Penn, a Pittsburgh-based poet who runs a workshop for young poets and serves as the Editorial Manager of the Soul Pitt Writer?s Block, the literary section of The Soul Pitt, a community website for minorities in the Western Pennsylvania tri-state area.

In this interview Ellis talks about his personal relationship with the oral tradition, the founding of the Dark Room Collective, and the future of language and motion.

Do you feel that academic institutions that offer creative writing programs place the craft of the poem above the poem?

The craft and the poem should be one. In ceramics, when we make a bowl, we don?t separate the material from the shape or the function. The moment those things are divorced they become separate studies. What I try to do is use a vocabulary that considers poem and craft as one.

It?s like fixing a door: The door is hinged, the door swings, and the hinge is connected to the frame by something. You could consider the nuts and bolts the craft?the thing that holds it together?and you could consider the swing, the nuance, the poetry. The idea is to make a thing that opens and closes effortlessly.

What I try to teach is a way of walking and behaving in the poem that?s akin to your own reading.

Do you think that the education system provides the tools necessary for preserving individuality in art?

I think that if you teach students to inherit the language they will continue it in their own way, which is not what a lot of schools facilitate. Usually the students come in contact with the curriculum, the canon, and syllabi. Those things are great for herding them towards the same reservoir of knowledge, but at times they work against individuality.

When I was at a workshop in Chicago a couple years ago I asked one of the students how he chose a graduate school geared towards a black writer. He said there are none and that you just find one that you can work with. How did you pick your MFA program?

When it came time to pick a grad school I wanted to study with a black writer who was a part of the tradition, who honored the tradition and carried it around inside him.

Ellis sitting

Photo: Camila Centeno

I was disappointed when I found out that if you wanted to study with Toni Morrison you had to get into Princeton, and if you wanted to study with Michael Harper you had to go to Brown. I was lucky enough to get into Brown University and Michael Harper was the only black writer there, so I consumed him, and he consumed me, and I?m sure that was tiring for him.

Should the education system create more MFA programs for black poets?

Yes. Howard University, Spelman College, and Morehouse College should all have MFA programs. I?m hoping that this generation, or the one after, will challenge the model of MFA programs altogether, finding that way of life flat, fixed, finished, not organic. There are lots of ways to get what?s inside of you out of you, and the Socratic roundtable method might not be the answer for everyone.

In a 2010 interview you said that the bold period of black poetics did not last long enough for your taste. What were you talking about?

As a child I was influenced by the post-60s vibe. My parents weren?t educated people and there weren?t any books, so I came to reading and writing via the oral tradition, via soul music, and via my great-grandmother who was a Baptist preacher. Before I started to write I listened; that language and that music became my literature.

When I got to high school and college I noticed that what I was learning in workshops and reading in schools leaped over a certain kind of behavior that I expected from the oral tradition. In a writing class they taught restraint. The problem is that written textual rules are aimed at the organic mouth and separate what happens in the mind?the mouth and behavior?from the page, and it seemed to me that there needed to be some repair work done to put them back together.

For example: I was talking to a group of students today who didn?t really know about the treasure chest of Negro folklore?Tar Baby and Brer Rabbit, and ?The Signifying Monkey.?

But this is what?s great about Toni Morrison; she knew about all of that and brought it to literature. All those things from our folklore, all our bad ways and loving ways, became tropes for characters. So I thought it was time for some identity recall. Skin Inc.: Identity Repair bridged the gap from what happened after the demise of the Black Arts movement to Rita Dove winning the Pulitzer Prize for Thomas and Beulah. There?s a wide gap of awards; we haven?t had a Nobel Prize-winner, though Gwendolyn Brooks should have won it years ago. In Skin Inc. I traveled through the tradition and boldly added my two cents to all the conversations I?ve heard. I didn?t want to privilege metaphor and simile the way that they always had been. It was an experiment, and maybe it worked, maybe it failed, but I was indeed passionate about it.

I read that you want to take the page to the stage and the stage to the page.

I only want to take the page to the stage and stage to page in a way that?s unlimited. The page and the stage are never really separate. We humans came along and made schools, -isms, styles, compartments, and departments. Poetry thinks we?re silly for fighting these little segregated battles. Poetry isn?t ?page? and ?stage.? But we do a funny thing: The moment the body becomes a part of it, the form of page becomes performance, and then class issues come into being. The academy protects form and ideas that are canonical or important by separating them from performance.

I think that it?s time that literature isn?t governed solely by certain types of intelligence because we?re leaving things out. We?re hurting because we don?t listen high and low.

Ellis Performs

Ellis performs at the Cave Canem reading, 2012. Photo: Renee Rosensteel

You were the founder of the Darkroom Collective and the Darkroom Reading Series, groups made of other Black poets. I am part of the Madwomen in the Attic workshop, and they?re really good, but at times because of the cultural diversity within the group, I find the need to explain myself. How important are workshops for black writers?

When I went away to school in Boston I noticed that there weren?t that many black people attending workshops and readings, even though I knew there were black writers.

But then Amiri Baraka read at Brandeis University just after James Baldwin died. I don?t even remember the reading, but I do remember that Baraka said to us, ?If you care about community, the gift that this man was given, and the gift that this man gave you, you?ll come to his funeral.?

The funeral was so moving that after we came home we decided to clean out our house?we had a rent-controlled Victorian in Central Square?and we made a list of writers we liked, and invited them to come read. That became the Darkroom Reading Series in 1989. The name came from a photographic dark room one of my roommates had upstairs.

Quincy Troupe was our first reader. After three years we ended up in The New Yorker, the Boston Review, and American Visions. Eventually the house was sold, and we got picked up by the Institute of Contemporary Art.

This reading series leapt us over the act of just submitting our poems and waiting. We got to know the people, and on occasion they would say things like ?Oh, I heard about this opportunity, send your poems here.? We had a direct line, but that wouldn?t have mattered if on the off weekends we weren?t writing and workshopping.

Community is important to black, to blue, to green, to white. It happens when there?s encouragement around it, and often encouragement takes the form of other people doing things. Do you need any of this to be a writer? No. Do you need to publish to be a writer? No. Do you have to be black or have a reading series? No.

I?d never heard about Go-Go music until I interviewed a rap group from CMU, and they said the woman in the group, who was from D.C., did the Go-Go beats. I thought, ?What the heck is that?? Then I read that you were doing a Go-Go book on ?the lost art of D.C.?

Go-Go is a continuous percussive music. At the beginning, in the late 70s, it served as an information-giver to the community. D.C. has a percussive vibe, an old southern town vibe, and the Go-Go vibe came out of that.

In high school I was a Go-Go drummer and I played what we called the beat, or the pocket, but I had to go to college and that was the worst thing that could have happened. I thought I was going to be a Go-Go star, but nobody in my family had been to college, and I was like ?Fuck, I gotta go to college.? But I?ve been documenting Go-Go since 1986. I was one of the photographers at Chuck Brown?s funeral, who was the godfather of Go-Go. I had interviewed him and I?ve been thinking about editing the book that you mentioned now that he?s dead. I had promised several younger Go-Go bands that I would come do portraits this summer, but the Go-Go book is almost done; it?s pictures and writing, it?s a Go-Go manifesto.

One of my favorite quotes is from Amiri Baraka who said, ?The job of the artist is to uplift the consciousness of the community.? What do you think about that?

The problem is that ?job? is a too small word. Still I do think that art and the imagination are conscious altering. I?m not as Marxist as Baraka, though he?s probably the most important black writer in my life. ?Uplift the consciousness of the community?? Sure. There?s nothing wrong in that statement, but what is the notion of community? City, state, block, area? The ones who go to church together? Community can be found in many ways and is constantly shifting and changing. I think that the jury is still out on the way art is made, the effects of art, and what art can do. We haven?t seen all the things it can do.

We made a mistake in this world by practicing and teaching governance as a political act when art is really the political act. When I say art is a political act, I don?t mean you should go vote for an artist. I mean that the imagination is the most political tool. It can re-imagine society and effect change. To make a change you have to be able to imagine it first. Art is conscious change and it lifts the consciousness of the community, but we?re in a place in history where we still have to care for community, and Baraka is at that place.

Ellis and Bonita

Photo: Camila Centeno

Remember DuBois said that the problem of the twentieth century was a color line. We?re just leaving that. We think we?re civilized, but we really just stood up. There?s a long way to go. Especially when you remember that we?re still talking about race and class. I think Baraka is noble and right to look for ways to fight against capitalism, and art might be one of the remedies, but not solely by itself.

There used to be a lot of black literary journals. Do you think that there should be more? Would that be a benefit to black writers?

I can?t look at it as a packaged statement and say that if there were more it would be better. If you?ve got more, but they?re all similar, and they?re all coming from one class of people or one aesthetic, that?s a problem. I think the next literature somehow won?t be written. I don?t think that Book is over, but Book isn?t king anymore. There are lots of ways of communicating ideas, and I think that we may be looking for those, and the package might change. I?m not speaking about technology. I?m saying the literary magazine may have reached its height already, and its age.

I?m a poet now and can?t prevent the poems from coming. It?s like they?re writing me, and I?ve surrendered to that. I just go ?Oh Poem! Leave me alone tonight! I?d like to go to the movies, Poem!? I think it would be nice if when they weren?t bothering me they could appear in the air in front of me.

Workshops and readings now have to take motion into account, and even the text on the page has to account for that. People will find a way to write and exchange ideas whether literary magazines come back or not. As for me, I?m ready to go blindly into the darkness, bump into a comma, get frustrated, scratch my head, get bored, get up, come back, sit down again, and bang the pencil against the page until we get the beat right.

Source: http://www.sampsoniaway.org/literary-voices/2012/10/01/thomas-sayers-ellis-keeping-the-folk-tradition-alive/

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Monday, October 1, 2012

Time Warner flips switch on new Lakers channels

FILE - This March 31, 2012 file photo shows Los Angeles Lakers guard Kobe Bryant reacting after defeating the New Orleans Hornets in an NBA basketball game in Los Angeles. A few months ago, Time Warner Cable Inc. was crying foul at the high price it had to pay to air Knicks and Rangers games in New York. Now, the shoe is on the other foot. The nation's No. 4 TV distributor bought the regional TV rights for the Los Angeles Lakers and pro soccer's LA Galaxy last year for an estimated $3 billion over 20 years. It is launching a couple of new channels based on those rights on Monday, Oct. 1, 2012. (AP Photo/Gus Ruelas, file)

FILE - This March 31, 2012 file photo shows Los Angeles Lakers guard Kobe Bryant reacting after defeating the New Orleans Hornets in an NBA basketball game in Los Angeles. A few months ago, Time Warner Cable Inc. was crying foul at the high price it had to pay to air Knicks and Rangers games in New York. Now, the shoe is on the other foot. The nation's No. 4 TV distributor bought the regional TV rights for the Los Angeles Lakers and pro soccer's LA Galaxy last year for an estimated $3 billion over 20 years. It is launching a couple of new channels based on those rights on Monday, Oct. 1, 2012. (AP Photo/Gus Ruelas, file)

(AP) ? A few months ago, Time Warner Cable Inc. was crying foul at the high price it had to pay to air Knicks and Rangers games in New York. Now, the shoe is on the other foot.

The nation's No. 4 TV distributor bought the regional TV rights for the Los Angeles Lakers and pro soccer's LA Galaxy last year for an estimated $3 billion over 20 years. It's launching two new channels based on those rights on Monday. To help pay for them, it is demanding payment from other TV distributors like Dish Network Corp. and DirecTV.

Time Warner Cable is asking as much as $3.95 per subscriber per month from competitors in the L.A. area, said a person familiar with the situation. The person requested anonymity because the negotiations are confidential and the details were not yet final.

That would make it the second most expensive regional sports network in the nation behind Comcast SportsNet Washington, which charges $4.02 per subscriber per month, according to research firm SNL Kagan.

It hasn't secured deals yet and likely won't until the regular season starts on Oct. 30.

"We think the price we're asking our distribution partners to pay is one of the better value propositions out there," said Mark Shuken, senior vice president for TWC Sports Regional Networks. Shuken declined to discuss the rates Time Warner is seeking.

Bob Toevs, a spokesman for Dish, confirmed that talks are ongoing, but said "it will have to be a good value for us and, most importantly, for our customers." DirecTV said in a statement that it is "very engaged" in talks to carry the channels, but said it has a responsibility to its customers to "avoid any extraordinary increases" in their monthly bills.

The main reason to buy the rights is to contain rising sports costs, Shuken said. It's better to be a rights buyer, he said, rather than to haggle with other channel operators and be subject to "big bumps" in prices every few years.

That makes sense, according to Tom Eagan, an analyst with Canaccord Genuity, who estimates the deal will be break-even or slightly positive in the end, but give the company more certainty about its future costs.

"I think we've all been consistently amazed by the increasing costs of sports," Eagan said. "I think Time Warner Cable feels there's some value to owning the rights and the actual channels as well."

Time Warner Cable will bear production costs and has spent money on a new studio in the suburb of El Segundo. It has hired familiar on-air talent like former Laker James Worthy and reporter Chris McGee, who worked the sideline for Fox Sports West, which carried most of the Lakers' home games for more than a decade before this deal.

Offsetting those costs, Time Warner Cable will gain revenue by selling commercial time and the channels ? Time Warner Cable Sportsnet and the Spanish-language Time Warner Cable Deportes ? to other TV providers.

It's not unusual for a TV distributor to get into the business of buying sports rights directly.

Comcast Corp., the nation's largest TV provider, operates 11 regional sports networks, including one in Houston that will be the exclusive home of the NBA's Houston Rockets and also launches Monday. SNL's Kagan said there are about 40 regional sports networks across the country. Many are owned by cable TV companies.

Assuming that deals are reached with all of its competitors, the new Lakers channels will be available to almost all of the 4.8 million people who already pay for TV in Los Angeles, including the 1.7 million who get service through Time Warner Cable.

But Los Angeles also has around 686,000 homes that get their TV signals for free via antenna, the highest number of any market in the nation, according to SNL data.

That means that fans who were used to watching Lakers' away games for free on KCAL 9, a CBS Corp. TV station, will now have to pay for TV from a provider that carries the channel. Either that or hit the local sports bar when the Lakers are out of town

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/347875155d53465d95cec892aeb06419/Article_2012-09-30-Time%20Warner%20Cable-Lakers/id-65c57f39a2484c11ba145bb9bc724655

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Sony-Olympus alliance aims for high-tech surgery

Sony Corp. President and Chief Executive Officer Kazuo Hirai, left, and Olympus Corp. President Hiroyuki Sasa bow together at the end of a joint press conference on their business deal in Tokyo Monday, Oct. 1, 2012. Japan Sony's new alliance with scandal-tarnished Olympus will produce endoscopes and other surgical tools packed with the Japanese electronics and entertainment maker's three-dimensional imagery and super-clear display technology called 4K. (AP Photo/Koji Sasahara)

Sony Corp. President and Chief Executive Officer Kazuo Hirai, left, and Olympus Corp. President Hiroyuki Sasa bow together at the end of a joint press conference on their business deal in Tokyo Monday, Oct. 1, 2012. Japan Sony's new alliance with scandal-tarnished Olympus will produce endoscopes and other surgical tools packed with the Japanese electronics and entertainment maker's three-dimensional imagery and super-clear display technology called 4K. (AP Photo/Koji Sasahara)

Sony Corp. President and Chief Executive Officer Kazuo Hirai, left, shakes hands with President of Olympus Corp. Hiroyuki Sasa, during a press conference in Tokyo, Monday, Oct. 1, 2012. Sony's new alliance with scandal-tarnished Olympus will produce endoscopes and other surgical tools packed with the Japanese electronics and entertainment maker's three-dimensional imagery and super-clear display technology called 4K. (AP Photo/Koji Sasahara)

Sony Corp. President and Chief Executive Officer Kazuo Hirai, left, and Olympus Corp. President Hiroyuki Sasa stand together for a photo session during a joint press conference on their business deal in Tokyo Monday, Oct. 1, 2012. Japan Sony's new alliance with scandal-tarnished Olympus will produce endoscopes and other surgical tools packed with the Japanese electronics and entertainment maker's three-dimensional imagery and super-clear display technology called 4K. (AP Photo/Koji Sasahara)

Sony Corp. President and Chief Executive Officer Kazuo Hirai, second left, and Olympus Corp. President Hiroyuki Sasa, second right, attend a joint press conference on their business deal in Tokyo Monday, Oct. 1, 2012. Japan Sony's new alliance with scandal-tarnished Olympus will produce endoscopes and other surgical tools packed with the Japanese electronics and entertainment maker's three-dimensional imagery and super-clear display technology called 4K. (AP Photo/Koji Sasahara)

Sony Corp. President and Chief Executive Officer Kazuo Hirai, left, speaks during a press conference with President of Olympus Corp. Hiroyuki Sasa, right, in Tokyo, Monday, Oct. 1, 2012. Sony's new alliance with scandal-tarnished Olympus will produce endoscopes and other surgical tools packed with the Japanese electronics and entertainment maker's three-dimensional imagery and super-clear display technology called 4K. (AP Photo/Koji Sasahara)

(AP) ? Sony's new alliance with scandal-tarnished Olympus will focus on producing endoscopes and other surgical tools packed with the Japanese electronic maker's three-dimensional imaging and super-clear "4K" display technologies.

Sony Corp. President Kazuo Hirai said it's not clear when the alliance's first products will become available. He acknowledged that medical equipment requires special regulatory approval that will take longer and be a learning curve for Sony whose expertise is in gadgets and movies.

"This is a challenge in a new sector," Hirai told reporters at the Tokyo Chamber of Commerce in a joint press conference with Olympus Corp. President Hiroyuki Sasa. "There was a lot of talk on whether we could go at it alone."

But Sony decided it couldn't and felt that risks could be lowered if the two Japanese companies joined forces in the effort to turn medical equipment into one of the pillars of Sony's sprawling business, Hirai said.

Sony's empire includes consumer electronics, movies, music, games and banking. The company's sheer size and its apparent inability to produce long promised "synergies" among its divisions have often been criticized.

Technology such as 3D and the futuristic displays known as 4K have not yet produced big results in consumer electronics products such as TVs. TV sets with 3D images require viewers to wear special glasses and haven't caught on. Sony has shown a 4K TV image, which is more fine and dazzling than high-definition TV, but it is unclear whether such an expensive product will catch on.

The alliance, announced Friday, calls for Sony to invest 50 billion yen ($640 million) to become the top shareholder in Olympus, with an 11 percent stake.

Olympus needs to shore up its finances after covering up massive losses dating back to the 1990s. The scandal surfaced only after its British chief executive Michael Woodford turned whistleblower and raised questions about dubious investments. Woodford was later fired.

Hirai said Sony is aiming to control more than 20 percent of the medical-equipment-for-surgery market by 2020, when the sector is expected to grow to 330 billion yen ($4 billion).

The companies are planning also to cooperate in the digital camera area, where they have been rivals. Sasa said cost savings would be likely by sharing parts.

Of Sony's 50 billion yen ($640 million) investment, about half will go into developing endoscopes equipped with 3D and 4K technology, Sasa said.

Olympus is the world's biggest maker of endoscopes, which are special devices that enter the body to look inside organs and can be used to carry out surgery. Olympus is also known for its cameras.

Sony needs a turnaround after reporting losses for four straight years as it fell behind in portable music players, flat-panel TVs and smartphones. Sony's red ink for the latest fiscal year through March was the worst in its 66-year history.

A report Friday by Barclays in Tokyo said the deal was a big plus for Olympus but not much of a boost for Sony, although it said that using Sony's sensor and digital image technology in the medical sector held great promise.

Sony stock inched down 0.2 percent on Monday. Olympus gained 1.3 percent.

Olympus and its three former executives pleaded guilty in a Tokyo court last week on charges of falsifying financial reports, involving elaborate schemes using overseas bank accounts, paper companies and transactions controlled behind-the-scenes ? all to keep massive losses off company books.

___

Follow Yuri Kageyama on Twitter at http://twitter.com/yurikageyama

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/f70471f764144b2fab526d39972d37b3/Article_2012-10-01-Japan-Sony-Olympus/id-3661a0bdf7394fee908df54ed3e5bb50

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Adversity Can Teach You Time Management

Adversity Can Teach You Time Management

How well are you managing the time in your business? I know this isn't the most interesting topic in the world, but over the past 2 days, I've noticed something rather interesting. Now that I am back in school, taking 3 college course, I've been able to get more work done, in a lesser amount of time than when I wasn't in school. Not only am I getting things done more quickly, but I also have more time in my day to lounge around.

Prior to school starting up, all I had to do was lift weights and Internet Marketing, which would normally take me an entire day to do.

  • This usually meant writing a couples articles a day.
  • Doing some offsite marketing,
  • And maybe making a video or two.

Now that I'm in school, I'm doing the same amount of work, but finishing in less time.

  • I'm doing Internet Marketing,
  • Lifting weights,
  • And again, am now taking 3 college courses.

Yet, if I look at the clock right now, as I'm writing, it's only 9:37 AM. I've already written a blog post, am working on this article, and my bet is, by 10:30 AM, I'll be completely done with my Internet Marketing work for the day.

Something that usually takes me all day, I've managed to complete in approximately 2.5 hours. From 8:00 AM, which is when I went to the gym, to 10:30 AM, which is when I'm estimated to finish all of my work.

The reason why I'm telling you this is because I've noticed that in times of adversity; In times where it seems like there would be no way for me to get all of my work done, I somehow manage to make it happen. Lately, I've managed to not only make it happen, but I've managed to get more work done more quickly than when I had less work.

  1. Right now, I want you to sit down, and I want you to prioritize.
  2. I want you to setup a time box.
  3. How long should it take you to complete each task?
  4. If you were on a time crunch, could you complete a task that much more quickly?

If you're like me, you will find a way to complete more work in less time. Had I known this back in the summer, I would have enjoyed it that much more, by putting myself out there. Now that I know what I know, I don't see myself ever going back to the way things were before.

Source: http://www.streetarticles.com/blogging/adversity-can-teach-you-time-management

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